SELECTED VISUAL WORK AND PROJECTS
Past Projects
Explore a curated collection of our past work, encompassing visual campaigns, creative direction and conceptual projects.
Project: White, Unscripted.
Reimagines the bridal beyond the poses, gestures, and expectations traditionally assigned to her. Set against the old-world elegance of the Grand Hotel, the editorial creates tension between a formal bridal setting and a woman who refuses to behave predictably within it.
Photography: Tamara @tamaraphotographs
Examines self-sacrifice as both an act of care and a process of erosion. The work explores how personal value becomes tied to usefulness, creating a cycle of continual giving that leaves little space for self-preservation. Through themes of depletion, grief, and identity, it reflects on the emotional cost of nurturing others at the expense of oneself.
Project: Nothing Left to Bloom
Photography: Adam Saint Fleur
Cinematography: Adam Saint Fleur
Brand Partner: Nectar Florals
Inspired by the Short Essay: Erosion by Alyxandra Madison
Project: Intimacy, Contained.
Explores the dissonance between expected emotional closeness and the reality of emotional absence. It centres on moments where intimacy should feel undeniable, grief, touch, closeness, but instead feels distant, muted, and unreal. The world continues moving, indifferent, while the subject remains suspended in a moment that fails to land.
Photography: John Jennings
Inspired by the Short Essay: Intimacy, Misplaced by Alyxandra Madison
Project: The Things She Couldn’t Say
Explores the quiet tension between holding on and learning to release. Through the contrast of a weightless dress and an oversized bouquet, the imagery reflects the invisible weight of unspoken emotions and the memories we continue to carry. Rather than telling one specific story, the concept leaves space for each viewer to recognize their own experiences within it.
Photography: Adam Saint Fleur
Brand Partner: Adelyn Rae
Project: Ready for Anything
Explores the space where movement meets refinement, reframing the tennis court as a backdrop for clothing designed to move beyond a single moment. Structured silhouettes and relaxed styling creates a quiet tension between discipline and ease, while two distinct figures reveal the collection’s versatility. The result is a visual study of modern uniform dressing: polished, adaptable, and ready for wherever the day leads.
Photography: Adam Saint Fleur
Brand Partner: Ellandemm
Project: A Stillness That Bruises
Examines the tension between external calm, and internal weight. Framed through an all white palette, the work suggests softness and restraint, while quietly holding a sense of pressure beneath the surface. The stillness is not restful, but restrictive, creating a subtle dissonance between the illusion of peace and the reality of emotional heaviness.
Photography and Cinematography
Adam Saint-Fleur
Brand Partner
Lorette Lingerie
Photography: Adam Saint Fleur
Cinematography: Adam Saint Fleur
Inspired by the Short Essay, She Held it Anyway by Alyxandra Madison
Project Title
Explore a curated collection of our past work, where imagination meets strategy. Each project reflects our drive to deliver thoughtful, effective solutions.
Photography
Shawn Moreton
Year
01/01/0001
Project: Detached Beauty.
Explores beauty as a manufactured ideal, separated from the realities it claims to represent. It centres on surfaces that are polished, controlled, and performative, where appearance becomes more valuable than authenticity. The work examines the distance between what is presented and what is felt, revealing beauty not as something lived, but as something carefully constructed and observed from afar.
Photography: Adam Saint Fleur
Cinematography: Adam Saint Fleur
Brand Partners: One Empire Lingerie and Nectar Florals
Project: UnHeld
This project examines the physical experience of existing without support, where balance is constantly being negotiated but never fully found, Through restrained movement, unstable positioning, and minimal composition, the work captures the tension between composure and instability. The project approaches independence not as confidence, but as adaption, learning how to continue forward while carrying the absence of support beneath the surface. Quiet, physical and intentionally restrained, Unheld explores the unfamiliar space between self sufficiency and emotional exposure.
Shawn Moreton
Inspired by the short essay